We've been longing to catch up with this tour of Jesus Christ Superstar which has toured the world since it premiered at Regent's Park Theatre in 2016. The story of the last seven days in the life of Christ as seen through the eyes of Judas Iscariot was a phenomenon when the original album was released in 1970. With a driving rock score, Tim Rice's savage lyrics and Andrew Lloyd Webber's instantly hummable melodies changed the face of theatre when it debuted on Broadway in 1971 and became one of the longest running shows ever after it had opened in London in 1972.
Many directors have opted to put their slant on the story and Timothy Shreader finds a path through imagery and dramatics, this production is almost like a staged concert with actors playing guitars and the innovative use of mic stands. Thankfully the show has lost none of its power to thrill.
It can be a double edged sword when you see that 'Alternates' are playing the leading roles. If its a star name you are expecting then there can be disappointment, but on the reverse side of the coin exciting new talent emerges, perhaps the stars of tomorrow. In this case the tour alternates Charlie McCullagh as Jesus and Luke Street as Judas delivered the roles with electrifying voices, exploring the relationship between Jesus and Judas as events spiral out of control.
Luke Street and Charlie McCullagh
Luke Street
They are supported by a fine cast of players. Hannah Richardson finds the sadness of Mary, ostracized by society but with a genuine love for Jesus. Her 'I Don't Know How To Love Him' is a showstopper. Ryan O'Donnell has the difficult role of Pilate, he is bullied and cajoled into siding against Jesus but when he does so, its with some viscousness. The priests Caiaphas and Annas are played superbly by Jed Habachi and Matt Bateman respectively, their sinister shadowing of Jesus, directing his downfall are one of the highlights of the production. Timo Tatzber ups the camp levels with a manic gold cloaked Herod, the one moment in the show where the brooding darkness is lifted for a moment.
The production pulsates with a fantastic band, some stellar lighting, and some nice symbolic touches. When Judas accepts his thirty pieces of silver, his hands are stained silver for the rest of the show. The 39 lashes are depicted by throwing glitter at the writhing body of Jesus. Within the context of this raw production, it works.
For a score that is over 50 years old, Jesus Christ Superstar still has the power to thrill, shock and move. For those that have loved the albums and film versions over time, they should enjoy this fresh take. And for those that have never seen Superstar on stage, this is a brilliant production with which to experience the phenomenon for the first time. Whether you believe or not, this is a piece of theatre that is outstanding. Could we start again please?
Rob & Ian
No comments:
Post a Comment